Today, we're diving into the fascinating world of steeking - an advanced knitting technique that might make some of you a tad nervous. We get it, the idea of cutting your beloved knitting can send shivers down your spine. But fear not! Steeking can be a thrilling adventure, especially when you have the right yarn by your side.
You see, steeking isn't as scary as it sounds. The key to conquering this technique lies in choosing the perfect yarn for your early steeking projects—one packed with natural fibres that will easily 'stick' together. Trust us, with the right yarn, you'll be amazed at what you can achieve!
To get your creative juices flowing, we've gathered a beautiful collection of stunning steeked patterns paired with the perfect yarns that will bring your projects to life, stitch by stitch.
So, let's dive in:
If you love the look of yoked sweaters but prefer the versatility of a cardigan, adding a steek makes the process seamless (by adding the ability to add a seam!). Yokes don't come much more striking than Budding and we've paired it with the stunning dLana* Sorrosal as its ideal yarn partner. It's 100% Merino and comes in a gorgeous selection of colours.
If you want to try a yoked cardigan as your first steek project but would prefer not to keep things simple and not include colourwork, Kate Davies' beautiful textured yoke, Hirne, is a great choice. Knit in DK weight, we have paired it with Retrosaria Brusca. This 100% wool yarn is perfect for steeking, and it comes in a palette of heathered shades ranging from neutrals to jewel tones.
If garments aren't your thing, check out the Snowy Shawl by Jessica McDonald. This triangular shawl features stunning colourwork with increases placed to create a triangular shawl that is longer across the top without becoming too deep. Worked in one of our favourite yarns, De Rerum Natura Gilliatt. It is sure to work up quickly and produce the cosiest shawl for the cooler months, and with a fibre content of 100% French Merino, it's perfect for steeking projects.
Snowy Shawl by Jessica McDonald
If you are looking for a steeking project that is a little different, take a look at Eaves by Kate Oats. Here the steeks are placed at the neck and sleeves to create this gorgeous colourwork across the front and back of the shoulders. The suggested yarn for Eaves is Biches & Buches Le Petit Lambswool, and we couldn't agree more that it's a perfect choice! With 100% Lambswool, it's ideal for steeking and blooms to the softest fabric.
And finally, we couldn't talk about steeking projects without including the pure joy that is Fairy Ring by Katie Green! A circular yoke of sweet toadstools sits on delicate all-over colourwork to create one of the most magical cardigans we've seen in a while. The Fibre Co. Lore would be our yarn of choice for Fairy Ring. It is made up of 100% Lambswool and comes in the most gorgeous colours that include options for similar colours to the ones Katie has used.
Let's start by understanding why yarn weight matters. It's not just about thickness; it's about how your project turns out. Whether you're crafting a light-as-air lace shawl or a toasty winter sweater, the yarn weight you choose sets the stage for success.
In a nutshell, understanding yarn weight enables you to make informed choices, complete projects successfully, and avoid disappointments! It's a fundamental skill that enhances your creativity and enjoyment in the world of knitting and crocheting.
So what are yarn weights? Yarn weights are organised into standard categories, such as lace, fingering, sport, worsted, bulky, and super bulky, to help you make sense of your yarn selection and give you a rough idea of what you're purchasing. You can often spot these categories on yarn labels, which is where your yarn adventure begins.
But, here's where it gets fun. The terminology can be all over the place. Different brands and regions have their own jargon, and you might see words like Aran, Worsted, or #4, all talking about the same thing but using different code words. Luckily for you, we're here to help you crack it with our yarn weight conversion chart!
However, even with our hand chart, however, you can run into issues. Have you ever looked at a knitting pattern and under the suggested yarn details read, "...or x (x, x, x, x, x, x, x) skeins of DK weight yarn"?
It makes total sense in theory; the designer used a DK weight yarn, so if you don't want to use the same yarn as them you can just substitute it for another DK yarn. Not quite, yarn weight can be quite the chameleon, shifting depending on the brand or base, even if they all have the same "weight category" label. A DK-weight yarn from one brand could be worlds apart from another's DK, so it's crucial to check out the yardage, especially if you are substituting yarn.
For example, let's take a look at two yarns from The Fibre Co. Lore and Arranmore Light are both classed as DK weight yarns, but Lore has 250m in 100g, while Arranmore has 300m in 100g.
Another example from two different yarn companies is dLana Sorrosal and Kokon Merino Fingering. The Kokon has 320m in 100g and is classed as a fingering-weight yarn. Sorrosal has 370m in 100g, so it's a lighter yarn, but it's classed as a sport weight, which is supposed to be heavier than a fingering weight. Do you see how things can get confusing?!
In both of these examples, there has been a difference of 50m between the two yarns. While it's not a huge difference, it's still good practice to keep yardage in mind as it can still influence your project in a few ways, such as:
So, when you're picking your yarn, always keep the yardage in mind, and you'll be crafting the FO of your dreams in no time!
The takeaway is this; looking at the yarn weight and understanding what it means is a great first step, but remember that no two same-weight yarns are created equal! Always check out the yardage, especially if you are substituting yarn, and as always, swatch!
By now, you should be well on your way to mastering the art of yarn weight. While the terminology can be puzzling, we're here to tell you that you've got this. Embrace the variety that different yarn weights offer and let your creativity flow.
We'd love to hear about your yarn weight adventures and any terminology mysteries you've unravelled. And if you're itching to put your new yarn conversion chart to use and do a little shopping, hop on over to check out our virtual shelves!
]]>
P.S. Do you have your Autumn knitting plans in motion already? Do they include any of the patterns on our DLana Sorrosal Pinterest board? Share your making plans in the comments below!
To knit this top-down sweater, you should have knowledge of knitting in the round and short rows, which are crucial to shaping the neckline and creating the sleeves caps. Additionally, you must be confident in picking up stitches as it is used repeatedly in this project.
Although most of this design is knit in the round, some sewing is involved. You will use mattress stitch and whipstitch to finish the neckline and saddle shoulders.
Lily recommends using a tubular cast-off for a more polished and professional appearance. There are links to video tutorials to guide you through techniques you might not be familiar with.
Gauge is crucial to ensuring the success of any knitting project, so make sure you knit a swatch in your chosen yarn using the knitting needles you plan to use. The gauge for this project is 22 sts and 32 rows knit in stocking stitch. If you need more help knitting a gauge swatch, check out this blog post.
Needle: 3.75 mm and 4 mm circular knitting needles in 60 cm and 80 cm. You will also need both needle sizes in double point needles or short circulars for knitting the sleeves in the round.
Notions: a tapestry needle for seams, four yarn bobbins to use with the contrast colour, stitch markers always come in handy for making the start of your round, and finally, you'll need two stitch holders and scrap yarn for setting your saddle shoulders on hold.
Lily used Di Gilpin Lalland DK in Flame and Sea Thrift for her sweater. She is wearing size 2, with 9" of positive ease.
NOTE - All values given in the table are for Lalland DK only!
We have had so much fun coming up with colour ideas for you and can't wait to see which is your favourite, so leave a comment below, letting us know which colour combo you plan to knit.
Lily Kate's pattern is available to purchase through Ravelry.
Colour illustrations drawn by @graphicsbymeb
If you have any further questions regarding colour or sizing please don't hestiate to get in touch you can use the live chat or email us on enquiries@tangled-yarn.co.uk
]]>
In theory, all yarns can be used for steeking, but some will definitely be trickier than others. Ideally, you'll want to use a 'sticky' yarn, meaning something with a high wool content that isn't superwash. This is because the stitches will cling to each other and make unravelling much harder.
If you do use a slippery yarn, you really need to make sure your stitches are extremely secure once reinforced, and this is where an alternative technique to the crochet method we shared above may be better.
There are lots of ways to reinforce your steek stitches. Check them out:
We suggest keeping steek stitches in stocking stitch (knit all stitches) to make it easy to reinforce and cut in the correct place.
Of course! Here are our top tips:
While it is certainly classed as a more advanced technique, there is no reason why you can't try steeking early in your knitting journey. Our advice is to practise with swatches first and choose a simpler project to start with. While we're talking about it, the Tangled Cowl is actually a fantastic introduction to colourwork and working in the round too!
And that’s it! Do you feel empowered to give steeking a try, or are you already a master steeker and have some of your own wisdom to share? Let us know in the comments below! And don't forget to explore the magical Tangled Cowl pattern, designed as your companion on this steeking journey.
Happy knitting and steeking!
In a nutshell, a steek is a deliberate cut made in your knitting to create openings or to turn a circular piece of knitting into a flat one. They are often used in projects with colourwork or complex patterns.
Extra stitches are added to where you will make the cut, these are your safety stitches, aka "steek stitches," and when the big moment comes and you're ready to cut, these trusty stitches take one for the team, making sure your main pattern stays totally unscathed.
Steeking allows you to effortlessly integrate colourwork designs into your knitting projects, like Fair Isle or stranded knitting, or textured patterns. You can knit garments in the round, and maintain the flow of your colourwork or pattern design without having to make adjustments for armholes, necklines, or other openings. This ensures that your intricate motifs are preserved and showcased seamlessly. The result? A more streamlined and polished finished product!
So let's really break things down and look at how to steek step-by-step. This tutorial features Tangled Cowl by Flossi Knits. The wonderful Claire aka Flossi Knits has designed this cowl with an introduction to steeking in mind!
1. Planning and Preparation
Knit your project in the round, ensuring you leave space for the steek. In the Tangled Cowl, you can see in the image above that we have 5 stitches for the steek, defined by alternating the main and contrasting colours. Once the cowl is complete, none of these stitches will be seen from the right side.
2. Reinforcing the Steek
For the Tangled Cowl, we used the crochet method* to reinforce the steek stitches. It creates a lovely neat edge and gives a clear guide for when it comes to cutting your steek.
For this method, use a feltable (non-superwash) wool yarn and a crochet hook a size or two smaller than the knitting needle size you used. For this tutorial, we have used a contrasting colour yarn so you can clearly see the crochet line, but using one to match your work will give a more subtle finish.
*if the crochet method doesn't appeal to you there are other ways to reinforce your steek. Check out our post 'Steeking FAQs'!
For this method, you’ll work two lines of crochet to secure your stitches on either side of Steek Stitch 3 as follows.
Set-Up Step 1. Make a slip knot on your crochet hook, then insert it from front to back through the Cast On edge directly under the 4th steek stitch. Pull yarn loop through so you have two loops on your hook.
Set-Up Step 2. Using the working yarn, pull another loop through the two loops on the hook so you have one hook
The edge stitches are secure and you can proceed to Step 1.
Step 1. Insert your hook through the Right Leg of the 4th stitch (light blue) and the Left Leg of the 3rd stitch (dark blue).
Step 2. Pull a loop through both stitch legs so you have two loops on your hook.
Step 3. Pull another loop through both loops so you have one loop on your hook.
Continue moving up the 3rd and 4th steek stitches in this manner, securing Left Legs to Right Legs, until you reach the Bind Off edge.
Step 4. To secure the stitches on the Bind Off edge, insert your hook through a bound-off stitch above Steek Stitch 4. Pull a loop through so you have two loops on your hook.
Step 5. Pull another loop through both loops already on the hook so you have one loop.
Step 6. Break your yarn and pull through the remaining loop on your hook.
To complete the second crochet line, join your yarn at the Bind Off edge, above Steek Stitch 2, following the Set-Up instructions for attaching your yarn.
Continue down the steek in the same manner as you did for the Left Side, but this time insert your hook through the Left Leg of Steek Stitch 2 (light blue) and the Right Leg of Steek Stitch 3 (dark blue). Once complete, you will have two crochet lines running down the centre of your steek. If you look between the two you will see the horizontal bar of Steek Stitch 3. This is what we're going to cut!
3. The Moment of Truth – Cutting
Lay your reinforced steek flat on a stable surface. Take a deep breath – it's time to cut! Use sharp scissors to snip the horizontal bars of Steek Stitch 3 between your crochet lines. Take your time and carefully work from bottom to top.
4. Finishing Touches
Weave in your ends and admire your work!
And there you have it, didn't we say it wasn't super scary?! At this point with the Tangled Cowl, you'd go on to add the ribbed edge, and if you think you'd like to give it a go, check out the pattern here!
Drumroll, please! Say hello to the new Tukuwool Fingering yarn, now available in 100g skeins, giving you a generous 370m of pure knitting delight. Which means more yarn to cuddle up with as you embark on your creative journeys!
But that's not all – this vibrant Finnish yarn has embraced a kaleidoscope of colours, ranging from the natural, undyed shades of sheep wool to stunning heathered and melange hues, along with rich and saturated tones that are practically begging to jump onto your needles.
If you were already a devout fan of Tukuwool Fingering, fear not, with the new updates it's lost none of its rustic charm – it has simply dialed up the softness factor. Crafted with the same meticulous care, this woollen spun, two-ply yarn maintains its light and lively character, promising you a knitting experience that's as enjoyable as a cosy evening by the fireside.
And as always, once it's off your needles and takes a relaxing soak, it blooms to woolly perfection, revealing its true beauty.
Now, let's talk patterns, shall we? We've handpicked five fantastic designs that are practically begging to be knit with the fabulous Tukuwool Fingering yarn. Whether you're a colourwork connoisseur or titillated by texture, this yarn is here to play matchmaker with your next project. Get ready to fall head over heels for these patterns that perfectly complement the charms of Tukuwool Fingering:
Poet was originally featured in Laine Magazine and was designed by the wonderful Sari Nordlund with Tukuwool Fingering in mind. This stunning sweater really makes the most of this yarn's stitch definition, with delicate lace and pockets of moss stitch.
This beautiful crescent shawl, Mare cleverly combines two shades of Tukuwool using slipped stitches, so only one strand of yarn is used at a time (that means no carrying floats or attempting stranded colourwork on the wrong side!). We love how it is finished with a delicate picot edge!
As Tukuwool Fingering is 100% wool, it's ideal for steeked pieces like Thistle. The 'sticky' nature of this yarn will make cutting your work a breeze, and the extended colour options will have you spoilt for choice when making your own version of this boxy cardigan.
If you want the colourwork without a big time commitment, check out the Underwing Mitts by Erica Heusser. These sweet fingerless mittens will bring a little whimsy to the transitional seasons ahead and with Tukuwool's 100g skeins you could whip up several pairs for a head start on any gift knitting you had planned.
And finally, if you are a fan of stripes and interesting construction, take a look at the gorgeous details of Rusty Tuku from Susanne Sommer. It's full of interesting details from its striped yoke to its split hem.
So, there you have it, friends – a yarn that's not only a joy to work with but blooming with possibilities for your future WIPs. As we head towards Autumn, why not dive into the world of Tukuwool Fingering, and let your creativity run wild? Happy knitting!
]]>Choosing the right cast-on and bind-off can be a huge step to achieving polished knits. While most knitting patterns will specify the cast-on and bind-off method to use, it's always worth experimenting with other options if the ones suggested aren't giving you the desired results. For the best results, it's important to consider the following to ensure your project begins and ends with perfection!
Seaming is something that some knitters may shy away from, and while we are huge fans of a seamless knit, there are lots of benefits to trying seamed projects; structure and stability, the opportunity for adding different design elements and creating visual definition to name just a few. But how do you choose the best method? Let's take a look at a few.
One of the most important finishing techniques is blocking, the final touch that transforms your FO into a masterpiece. But did you know, the blocking method you choose can be influenced by the fibre content of the yarn you used? Here are some general guidelines for blocking based on fibre content:
Swatch! Remember, all of the above options depend on the type of project, the stitch pattern, and the desired finish. Experiment with different methods to find the one that works best for your specific knitting project by swatching. Try out different cast-ons and bind-offs, practice seaming them together, and block them to see the final result. These swatches don't have to be huge as you are not trying to work out your gauge, just how the different methods look, and even if you decide something isn't right for your current project, you can refer to them for future ones as well!
The techniques listed in this post are just a handful of possible options, so we encourage you to explore other methods out there too! Do you have a favourite finishing technique you'd love to share with us? Let us know in the comments below!
]]>Today we are talking all things Allino the perfect yarn to brighten up your knitting projects during the warmer months! Crafted by BC Garn, this delightful DK yarn brings together the timeless qualities of linen and cotton, making it an ideal choice for spring and summer knitting. Whether you're envisioning lightweight sweaters, breezy tops, or stylish summer tees, Allino has got you covered.
What sets Allino apart is its exceptional blend of Belgian linen and cotton, sourced from various countries. Meticulously spun and dyed in Italy using Ökotex standard dyes that are completely free from animal derivatives, this yarn takes pride in being genuinely vegan-friendly. Not only does it encompass the beauty of nature in its composition, but it also respects the principles of sustainability.
When you cast on with Allino, you'll notice its slightly marled appearance, a unique characteristic arising from the distinct ways linen and cotton interact with dyes. With a palette of 20 stunning colours to choose from, your creativity can run wild with possibilities!
Do you need a little inspiration to get you started? We've handpicked six knitting patterns that perfectly complement the yarn's qualities and will have you inspired to create your own warm-weather wonders. From airy cardigans to chic tops, these patterns showcase Allino's versatility and will keep you fashionable and comfortable throughout the seasons.
Anker's Summer Shirt is knit top-down, starting with a simple but striking ribbed yoke. It's such a fun and wearable design, and the rib stitch will show off the stunning texture and stitch definition of Allino perfectly. One in every colour, please!
Stripes are a great way to show off the beautiful colour palette of Allino, and Ship Shape by Heidi Kirrmaier has a really interesting top-down construction that begins with shoulder gussets! You can choose just two colours, or even introduce a third for contrasting hems and shoulder gussets!
Roll Over The Top was designed with Allino in mind and is the ideal summer top to knit and wear. All edgings are worked as you go, and there are three fit options: straight, moderate A-line or more hip width.
We love Kerstin's version of Roll Over the Top. Kerstin test knit this for Hinterm using Allino in Lime.
Yoki has such a classic feel with beautiful details that take it from simple to timeless. This is another design that was created with Allino in mind, and we can see this working perfectly for late summer evenings and then layered as we transition to fall.
If you're looking for some soothing knitting and an FO that really brings the summer heat, then Sunset Camisole by Sari Nordlund should be on your radar. This sweet and simple summer top features a beautiful ruffle that travels diagonally from shoulder to hem. The cotton and linen combination of Allino would give the perfect amount of body and drape.
The Tip Top Tank was designed to be an easy summer knit and is a perfect project for a new knitter! The pattern is a free Raverly download and has the option to be knit in the round or seamed. Throw this tank on with some denim shorts or a breezy summers skirt on a hot day or even pair it with some jeans into the autumn transtion.
P.S. We'd love to know if you have worked with Allino before and if not, if it's now on your list! Let us know in the comments below!
]]>Last week, we shared our post From Swatch to Success: Unraveling the Significance of Swatching in Knitting, and one tip we talked about was making sure if your project was knit flat, you swatch flat, and if it's knit in the round, you swatch in the round.
Today, we're demonstrating how we swatch, both flat and in the round. Are you ready?!
As with any knitting, we start with the cast-on, but how many stitches should you have? As we said in our previous post, bigger is better, and you want to aim for a swatch that's at least 6"/15.25 cm square. But how do we work out the cast on number?
Though we don't know our stitch gauge yet (that's what our swatch is for!), we can use the one listed in the pattern as a rough guide.
Let's say we are knitting a sweater flat in stocking stitch, and the stitch gauge listed is 24 sts in 4"/10 cm. We can work out how approximately many stitches we need for a 6"/15.25 cm swatch by doing a few sums. The below is based on inches, but the same rules apply if you wish to calculate for cm.
So now we know we need to cast on approximately 39 sts. To be safe we'd suggest adding a few extra and cast on around 44 sts. The sweater is knit flat, so we will swatch flat by knitting the right side, then turning our swatch and purling the wrong side.
Remember, when it comes to knitting a swatch flat, it may look prettier and stop it curling if you add a border of garter stitches, but it can distort the gauge of your swatch. This is because the stitches are really short in garter stitch, so only swatch for the stitch listed in your pattern and avoid adding a border.
You won't only be swatching stocking stitch, so check the pattern details for information about the stitch patterns used. There it should say how many stitches there are in each pattern repeat.
For example, the twisted stitch pattern I used for the above swatch uses a multiple of 9 sts, so my cast-on number must be divisible by 9. Let's use the numbers from our previous example. We needed approximately 39 sts to get 6"/15.25 cm, but does that work with our stitch pattern?
39 sts / 9 sts = 4.33 repeats
Nope, so what do we do? We take the whole number from the above result, which in this case is 4, and to be sure our swatch will be big enough, add one more repeat. So...
4 + 1 = 5 repeats
5 x 9 sts = 45 sts
We need 45 sts to have the right amount of stitches for the pattern repeat and make sure our swatch is big enough, simple!
Swatching in the round is a technique some knitters are less familiar with, but even with something as simple as stocking stitch, your gauge in the round can be significantly different to when you knit it flat. That's why it is important to know how to swatch both ways, so let's check out some swatching in the round methods.
This is where you knit a tube and work in the round for your entire swatch. You calculate your cast-on stitches as we did for the flat swatch, join to work in the round and start knitting.
While it's the simplest way to swatch in the round, it has drawbacks. Remember, to work out your gauge you need to measure over a 4x4" / 10x10 cm square, with some wriggle room at the side for accurate measuring, so to get a flat section of knitting you'll need to knit at least a 10"/25.5 cm circumference.
You can get around this by knitting a smaller circumference and then cutting your swatch to lay it flat to measure the gauge. While this could work for some, be cautious, as many knitters will naturally knit tighter for small circumferences. If you're swatching for the body of a sweater that is knit as a much larger circumference, you may find your swatch gauge doesn't match your project gauge and cause fit issues.
This brings us to the loop method. You work on the right side of the swatch only and use circular needles so you can slide your work back to the other end of your needles and work the right side again, carrying the yarn loosely at the back. It may feel clumsy at first, but it's a great way to knit a swatch quickly, accurately and without using a large amount of your yarn.
One of the problems with this though is because we are carrying yarn across the back, the edge stitches can get loose. We can counteract this, however, by knitting the two stitches at each edge through the back loop (tbl). Here's a breakdown of this method:
Once your swatches are complete, it's time to soak them in warm water and your wool soak of choice and leave them to dry flat. Remember, you should take gauge measurements when your swatch is completely dry and with any pins you used removed.
Have you swatched in the round before? What method do you use? If you haven’t, do you think you’ll give the loop method a try? Let us know in the comments below, and for more swatching advice revisit our previous post From Swatching To Success.
]]>
Swatching is like a sneak peek into the future. You take your yarn and needles and create a small (but not too small!) sample piece of knitting based on the stitch pattern or patterns in your chosen project. This allows you to see exactly how the yarn behaves, how the fabric looks and feels, how colours work together, and what your gauge* is.
*If you are new to gauge, it refers to how many stitches and rows you have in a 4x4"/10x10 cm area of your knitting. Designers list the gauge they used when they designed their pattern, and all the finished sizes are based on this gauge.
If you don't have the same gauge as the pattern, it doesn't matter how carefully you choose a size listed in the pattern, your FO will not be that size. Swatching allows you to try different needle sizes until you find the right one that gives you gauge.
Not every yarn will work for every pattern. Swatching helps you evaluate how a particular yarn behaves when knit up. You can observe its stitch definition, drape, and overall appearance, allowing you to make informed decisions about its suitability for your project. It's particularly helpful for colourwork. The colours you select may look like they have enough contrast when they are in balls, but it can be another story when knitted up, especially if you are working with an intricate design.
It gives you the chance to see the fabric after it's had a bath! Depending on your yarn and gauge, your work can look quite different after blocking. Blocking evens out your stitches and shows you exactly how the fabric will look in your final piece. This is again really useful if your project involves colourwork and the dye bleeds when washed, resulting in the colours running into each other. It's much better to find that out on your swatch than the beautiful colourwork yoke you've put hours (days/weeks/months) into.
Swatching is also a great way to practice new stitches or techniques before incorporating them into your final project. You can familiarise yourself with the pattern instructions, become more comfortable with the stitch pattern, and even try out any modifications you have in mind.
So you now know the 'why', but what about the 'how'? How do you create a swatch that will give you accurate measurements and all the information you need to know your casting on your new favourite FO?
In conclusion, swatching is an absolute game-changer! Don't underestimate its importance in your knitting projects. It might feel like an extra step, but trust us, it's worth it. Swatching helps you nail that perfect gauge, pick the ideal yarn and needle combo, and even gives you a chance to unleash your creativity with design modifications. Think of swatching as your knitting superpower, protecting you from disappointment and ensuring your finished piece matches your vision. It's like a secret code that unlocks knitting success and brings joy to every stitch.
We hope the tips and thoughts we shared above have helped to encourage you to embrace swatching and helped with any issues you may have been having. Happy swatching!
]]>
Silk, known for its luxurious feel and lustrous sheen, is ideal for summer knits. Its natural temperature-regulating properties keep you cool on warm days, making it a popular option for summer tops.
One of my favourite silk yarns is BC Garn Tussah Tweed. A cruelty-free silk Tussah Tweed is spun from the cocoons wild butterflies have left behind. These cocoons are made into silk, which gives this silk its beautiful tweed nubs.
Our top pick for Tussah Tweed is Suri Shirt by Caidree. A simple classic tee makes the most of this tweedie silk as it's knit in stocking stitch, so it lets the silk yarn take centre stage and exudes sophistication.
When it comes to summer knitting, cotton is a classic choice. Renowned for its breathability and softness, cotton yarn ensures maximum comfort even in the hottest weather.
Summer Blossom Tee by Irene Lin
Krea Deluxe Organic Cotton is for creating lightweight and airy tops. For a versatile design, try the Summer Blossom Tee by Irene Lin. With its eye-catching cable detail and relaxed fit, this pattern will be a joy to knit and wear. Choose two colours of Organic Cotton to complement one another, or use one colour for a more understated look.
Linen is a beloved fibre for summer garments, thanks to its exceptional cooling properties and distinct textured look. The more you wash and wear linen, the better it gets. BC Garn Lino is a top pick for linen yarns. It's an excellent choice for creating stylish and breathable tops. Consider casting on HØR No.14 by Lone Kjeldsen to make a chic linen top that combines simplicity and elegance. The delicate stripes and relaxed fit make it a versatile piece that can be dressed up or down for any occasion.
HØR no 14 by Lone Kjeldsen
Cotton and linen work wonderfully together. BC Garn Allino gives you the best of both worlds with 50% cotton and 50% linen. It is soft and drapes beautifully, making it ideal for knitting and wearing through summer. For this Allino I have chosen Santa Eulària by Entre las Manos- Susana Guasch. A sleeveless summer top with the prettiest lace and bobble detail it is sure to turn heads.
So why not embrace your knitting this summer and showcase your individuality with your handmade knits? Explore the patterns we've suggested from Ravelry, select the perfect yarn from our exquisite silk, cotton, and linen offerings, and create garments that blend style and comfort seamlessly. Knitting summer tops has never been more exciting, so grab your needles, indulge in the beauty of Tangled Yarn's Summer Yarn Collection, and let your creativity shine!
]]>Robinson is a delightful blend of Merino d'Arles wool and recycled cotton, resulting in a light-worsted-weight yarn that is tailor-made for warm weather knits. The addition of cotton not only brings a refreshing summer vibe but also lends a softness to the yarn, making it a joy to work with. One of the standout features of Robinson is its interesting texture and mottled appearance (thanks to the cotton!), adding depth and character to your projects.
Robinson - 60% unbleached Arles merino, 10% black French merino, 30% recycled cotton
Although it feels dry to the hand initially, Robinson truly comes to life after a gentle washing. With each wash, this yarn blooms and softens, ensuring that your finished piece becomes even more cozy and inviting over time, and with a range of eleven beautiful colors achieved through natural plant extracts, Robinson offers shades that will make your projects truly shine. From vibrant hues to earthy tones, there's something for everyone.
Ready to cast on? We've handpicked patterns that perfectly complement Robinson's qualities, giving you plenty of inspiration for your next project! From lightweight sweaters to breezy shawls and delicate accessories, you'll find designs that showcase the yarn's unique beauty. Check them out below!
Designed specifically for Robinson, Diskan makes the most of its crisp stitch definition for an all over texture (made up of only knit and purl stitches) that you will love to see emerge from the needles. It is knitted seamlessly from the neckline with a rounded yoke and is detined to be a staple in any wardrobe.
The Weekender has been a fan favourite since its release, and it's easy to see why. Texture, faux seams, drop shoulders, and some positive ease, it's a recipe for a seriously versitile piece that would showcase the unique mottled colours of Robinson beautifully. We love Andrea's suggestion of leaving the sleeves off for a warm weather version that you can layer with long sleeve tees for those transitional months.
The Weekender by Andrea Mowry
If meditative knits with thoughtful details are your making vibe then Felix from Amy Christoffers is likely already on your radar. Delicate eyelets along the raglan shaping break up a sea of soothing stockinette to create the perfect cardigan for slipping over your shoulders in the summer evening. Robinson's crisp stitch definition would really bring out the lace, and would look particularly lovely in shades Citronade or Sirene.
Felix Cardigan by Amy Christoffers
The colour palette of Robinson is calling out for a little colourwork, and you could really get your creative juices flowing selecting colours for Nefeli. Knit top down, you have just a little short row shaping before embarking on the joyous yoke, and as it has short sleeves, it will be off your needles and paired with your favourite linen skirt in no time!
And finally, if you are looking for something seriously chic and speedy to whip up for this summer, take a look at Rota. Bands of open lattice and textured stitches are joined together by a stunning split hem detail and ribbed edging that gives the perfect polished look to this effortless summer top. It will work up so quickly you could easily do one in every colour!
For more pattern inspiration visit our Pinterest board for Robinson.
Are you planning on casting on Robinson this summer, or do you already have it on your needles?! Let us know in the comments below!
We're super excited to introduce you to the newest addition to our collection here at Tangled Yarn: Saona, the amazing yarn from Wooldreamers. It's not just any yarn — it's a yarn brimming with heartwarming family stories and sustainable values.
Let's dive into the heart of Saona's story. On every label, you'll find the words "Nuestros viajes a Saona," which means "Our trips to Saona." Those words hold so much meaning as they're filled with precious family memories. Imagine this: a picturesque river where Ramón's grandfather, Julián, and his sons, Teodoro and Ramón, used to cart their woollen fleeces. They'd spend their days washing, drying, carding, spinning, and weaving blankets, a labour of love and craftsmanship that now lives on through Saona.
This beautiful collection pays homage to those traditions while embracing sustainability. We've teamed up with the talented Hailey Smedley, also known as @Ozetta on Instagram, to design a palette of colours that perfectly complements Saona's texture and tones. Just like Saona, Hailey's work is rooted in family tradition and love—her grandmother taught her the art of knitting, and that passion shines through in her creations.
Wooldreamers Saona 50% Andalusian Cotton, 50% Merino Entrefino and Manchego Wool
Now, let's talk about what makes Saona so incredible. It’s a fingering weight yarn made from a unique blend of 50% Andalusian Cotton, 50% Merino Entrefino, and Manchego Wool. The cotton used in this yarn comes from Andalucía, and it's completely traceable. We love supporting local communities while enjoying sustainable fibre, and Saona lets us do just that. It's also certified with OEKO-TEX Standard 100, so you know it's been produced in an environmentally conscious way, ensuring there's minimal carbon emissions.
We couldn't be prouder to offer you Saona at Tangled Yarn. This yarn is all about family, tradition, and sustainability balled up into pure joy. Every stitch you make with Saona becomes a part of a story that stretches back generations, and we are so happy to give you a chance to play a part in that story too.
To celebrate Saona being added to Tangled Yarn, we've curated a Pinterest board filled with even more Saona project ideas, ensuring you'll never run out of inspiration for this incredible yarn. From cosy shawls to stylish summer tees, from knitting to crochet, there's something for everyone, so grab your needles, dive into the world of Saona, and let your imagination soar. Click here to explore our Saona pattern ideas on Pinterest.
Do you have a favourite pattern on our Saona Pinterest board?
We’d love to know in the comments below!
]]>From lightweight tops to functional dishcloths, from charming baby garments to stylish accessories, cotton yarn holds a treasure trove of possibilities, ready to be transformed into your very own masterpieces. But while cotton boasts an array of benefits, it's important to note that it may not be the perfect fit for every pattern, but fear not! By harnessing cotton's advantages, we can create projects that allow it to shine, even when the sun isn't.
In this post, we'll explore the advantages of working with this fantastic fibre, while also giving you a heads-up on a few things to keep in mind and cotton knitting tips. We'll take a closer look at the types of projects where cotton truly excels, and empower you to choose the perfect yarns that will bring your creative visions to life. Let’s take a look!
Ola Top by Irene Lin and Hermaline by Audrey Borrego are perfect for knitting in cotton
Some of our favourites are Camarose Økologisk Sommeruld that blends organic cotton with organic merino, The Fibre Co Luma which blends organic cotton with merino wool, linen and silk, and BC Garn Allino, a gorgeous blend of cotton and linen.
*If you only take one thing away from reading this blog post let it be this; Don't use 100% cotton to knit your summer bikini or swimsuit! Unless that's a look you are going for, and if so, we support you all the way. (But your bikini won't!)
And there you have it! Working with cotton yarn is as simple, just remember to honour its unique qualities and select patterns that let them shine. Whether you adore the softness, breathability, or absorbency of cotton, there's a world of projects waiting for your creative touch.
Now, it's your turn! We would absolutely love to hear about your own experiences with cotton yarn. Share your tales of triumph, your tips and tricks in the comments below.
]]>I recently had the great pleasure (not just saying that!) of knitting the Argyll Vest by Kate Davies. It was a twist-tastic but surprisingly easy knit, and I really enjoyed the yarn. I even found myself knitting more slowly to prolong the process!
I waffled on about it rather enthusiastically, and Rachel asked if I’d write a blog post reviewing the yarn. If you know me from Ravelry or Instagram (@gingergooseberry), you’ll know that I don’t often get to visit a yarn shop for a squish, so a parcel of new-to-me yarn is a treat.
The yarn in this carefully wrapped package looked just a little bit special. I was taken with the pretty blue with, a hint of green colourway (Skylar - if you want to go and take a look) and the crisp twisted plies. And I was most intrigued by the little white fibres sticking out here and there.
&Make DK is a blend of 55% Peruvian Highland Wool, 35% Alpaca, and 10% Linen
Looking at the label, I discovered that &Make DK by The Fibre Co. is a blend of 55% Peruvian Highland Wool, 35% Alpaca, and 10% Linen – not a combination I’d encountered before, but the linen explained the white bits! It’s made in Peru using natural, sustainable fibre from renewable sources, and the wool is certified as Fairtrade. As you might expect, it’s a handwash yarn.alpaca lends a buttery softness, but there’s also a strength and sturdiness to it. That said, it’s not at all hard on the hands. I had no knitting in the round blisters or sore rubbed spots in need of a cushioning Elastoplast.
Tangled Yarn stocks &Make DK is sixteen colours, here are just a few favourites.
There’s a good range of colours – essential neutrals, beautiful brights, and more subtle, sophisticated shades. Careless Whisper made me chuckle as I thought of long-ago school discos, but always been a fan of bright colours; I’ve got my eye on the vibrant Millie Pink.
It’s reasonably priced (not a bargain basement but a long way away from artisanal luxury), knits up fast, and has a generous 125m/137yds in a 50g ball. The size 3 of the vest I knit (finished bust circumference 98cm/38 ¾”) used five balls of yarn with some to spare.
The stitch definition is great (perfect for twists and cables). The alpaca means that there is a fuzzy halo – and it sheds a bit when you’re knitting. Nothing serious; maybe have a lint roller handy if you need to leave the house looking groomed and well-put-together.
The yarn coped with a very ordinary amount of tinking back, and I think it’d cope with a bit of ripping back, but I didn’t run exhaustive tests. In other words, there were no knitting disasters in making the Argyll vest.
It isn’t itchy or scratchy, but there is a slight tickle. It isn’t next to the skin soft for super sensitive me, but I can’t imagine not wearing a layer under a knitted jumper or vest in this small corner of the UK anyway.
I think it’s going to be my go-to DK-weight yarn for grown-up knits from now on. I need to find an excuse to knit with this yarn again!
Here's Tangled Yarn's top five suggestions for &Make DK:
Gridland Scarf | Airgead Slipover | Davids Classic Crew | Creel Cowl | Oslo Hat V4
Even more suggestions can be found on our Pinterest board, which we try to update frequently!
]]>
One of the joys of running Tangled Yarn is getting to know my customers and striving to bring them the best possible products and shopping experience. Another is connecting and nurturing relationships with the wonderful companies I work with. These past twelve years have given me a real appreciation for other people who also run small businesses, and it's here that I've found myself contemplating the concept of 'sustainability', and what that means for Tangled Yarn.
The word 'sustainable' is heard a lot these days, and it's easy to become overwhelmed as to what it means. This one word seems to contain a plethora of topics, and that's just within the fibre community alone! That's why I wanted to write today to share a little insight as to what it means to me at this point in my Tangled Yarn journey, and give you a little more insight into running my business.
As Tangled Yarn doesn’t produce products the core of my sustainability strategy focuses on where I source my products from, and where and whom I do business with. I choose to only spend my money with businesses that share my values.
That’s why I mostly work with amazingly talented, independent businesses with purpose. From the outset, it has always been my preference to lend my support to other female-founded independent businesses, where I can, and that hasn't changed. But as I learned more about the yarn-making process I started to see areas that I felt were important to consider when it came to selecting products to stock.
From animal husbandry to a passion for more sustainable operating practices and care for those in their supply chain, I actively seek out progressive businesses that can evidence their standards at every stage of production and who of course sell wonderful products that I know you’ll love.
Here’s a little about what matters to me at each stage of wool production:
The breed of sheep dictates the wool it produces, and how the animals are treated throughout their life is where it all begins. There have been numerous undercover reports revealing poor practices in large-scale wool production, such as the barbaric practice of museling in the production of merino wool.
I only work with those who can provide evidence of good animal husbandry. I want to source from businesses that care about the flocks and the people who look after them. One way of doing this is to seek suppliers who have achieved GOTs accreditation (Global Organic Textile Standard) which means that standards at every stage of production from sheep to skein can be traced and meet the highest ethical standards.
While seeing this credit makes my job much easier, it's important to note that the GOTs assessment process is quite involved and costly, so it's not always financially accessible for a lot of small businesses to attain, despite them operating within the GOTs criteria. This is why I like to take the time to build relationships with my suppliers, so I get to really know them and what they stand for.
Is mostly a mechanised process but this still requires people. I want to know that the people cleaning and spinning the wool that I source for you have work that they are passionate about and they are treated fairly, properly compensated and work in good and safe conditions.
The process of dying wool isn’t simple or straightforward, to produce some colours requires the addition of heavy metals and none of us want that. That’s why, where possible, I try to select products from suppliers who can demonstrate that they are taking active steps to reduce the use of chemicals and water in their dying process.
If there's one thing I've learned about sustainability in my business, it's that it is constantly evolving. I don’t pretend to be an expert, but I am determined to keep my eyes and mind open so I can continue learning. There are so many factors at play when we talk about sustainability, and as individuals, it's not possible to be able to do all the things all the time, but I firmly believe that together we can make a difference and I’m passionate about playing my part.
To you, my wonderful customers, I am committed to making the right choices so that when you purchase from Tangled Yarn you know I have sourced the right products and you can buy with confidence.
Thank you for reading and I hope you enjoyed this insight into how I run my business. If you have any questions or comments please feel free to leave a comment below or email me directly at rachel@tangled-yarn.co.uk
Happy knitting!
Rachel x
]]>So your gorgeous new yarn has arrived, and you're excited to get it on your needles, but before you begin, you need to change that skein into a ball. If you have a swift and ball winder handy, you're good to go, but we don't all have those around the house, so what then?
Worry not, we're here to help! Here's a step-by-step guide to help you wind your yarn into a neat and tidy ball:
At one end of the skein, the yarn will have been tucked into itself to keep it secure. Carefully untuck and lay your yarn flat and get everything as straight as you can
At this point do not be tempted to cut any ties!
Now find something that will keep your yarn from getting tangled while you wind your ball. You can get creative here! As long as it's going to keep your skein in a tidy loop while you wind and won't lift off while you work, you're all set. Here are a few ideas to get you started:
Once your skein is in place, you can cut the ties, but before you get started, identify how your skein has been secured. All skeins will have a knot where the two ends have been fastened together, but it will also be secured by either looping the yarn from the skein around itself in several places, or it will be tied at certain points with a different yarn.
If a different yarn has been used, simply cut these ties off and discard them before cutting the yarn just above the knot tying the two ends of your skein.
If the yarn has been looped around itself, as in the photos, you will need to cut the knot tying the ends together first, then carefully unloop the yarn from around the skein until you can easily unravel the yarn.
Hold the end of the yarn between your thumb and forefinger, and create a loop by wrapping the yarn around your index and middle fingers. Using your other hand, wrap the yarn around the loop a few times to create a small bundle of yarn.
Slip your fingers out and hold the bundle of yarn securely. Continue wrapping the yarn around the bundle, working from side to side, until you have a small, neat ball of yarn.
As you wind the yarn, rotate the ball in your hand to help keep it even. Use your thumb as an anchor point each time you rotate.
Finally, once you've wound all of the yarn into the ball, give it a gentle squeeze to help it hold its shape, and enjoy your newly wound ball of yarn!
If the yarn is prone to tangling or twisting, you can unwind a few feet of yarn at a time and lay it flat on a table or other surface as you wind it into the ball.
Also, if you need to take a break while winding your yarn (we’re looking at you, lace weights!), simply tuck the ball into a bag or container to keep it tidy, and if you need to move the skein of unwound yarn, secure it first with a few ties so it doesn't get tangled.
Lastly, don't worry if your ball isn't picture perfect as long as your able to knit your garment that's all that really matters!
Do you like to wind your yarn by hand and do you have any tips for winding your yarn at home? Tell us in the comments below!
]]>
Let's take a look at what we wish we'd have known before we started knitting!
New knitters often start with a garter stitch scarf, but it can be time-consuming, and by the end, all you've learned is how to do the knit stitch and probably how to cast-on and off (but then the cast on was so long ago you've already forgotten!).
Instead, knit a few small swatches to start and then try a simple stocking stitch or ribbed hat in chunky yarn to learn knitting in the round, combining knits and purls to create stitch patterns, decreasing and shaping - all in one project that you will be wearing long before that scarf is cast off.
© Lavanya Patricella - Winter is Life Hat
Tangled Yarn Recommend: Winter is Life Hat by Lavanya Patricella, as a first project, Kaos Chunky Andean Wool, would make the perfect yarn and bonus! It's available in 12 different colours!
Swatching is an essential part of knitting, but did you know that your swatch can sometimes lie to you? Many things can alter your gauge between your swatch and final project; the size of your swatch, if you added a border, how you blocked it, and even your mood!
To keep your gauge consistent, never add a border to the stitch pattern you are swatching for, always wash it in the same way you will be washing your FO, and measure the gauge of your swatch before and after blocking it. That way you will be able to check the gauge of your project as you work, and not only when it is finished and has been blocked.
We love cables, but they can be slow to knit (mainly because we spend most of the time hunting for the cable needle between the couch cushions!). Cabling without a needle can seem scary at first because it involves slipping live stitches off the needle, but once you get the hang of it it's not that bad. Just be sure to practice with a 'sticky' yarn first like something non-superwash with a high wool content.
Check out this tutorial for cabling without a needle if you'd like to give it a go!
It's easy to accidentally add or drop stitches, and catching the mistake early can save you a lot of time and frustration later. If you are working with a pattern repeat, add markers between each repeat so you can easily see if your stitch count is looking off somewhere.
You can read all the tips and tricks in the world before picking up your needles, but you will always make mistakes, and it's a good thing! That's where you learn the most and grow as a maker, and before you know it, you'll be sharing your own list of things you wish you'd known to new makers picking up their needles for the first time!
Do you have any tips that you wish you'd known when you started knitting? Share them with us in the comments below!
]]>
My name is Patsy and I’m a knitter and sewist based in Yorkshire. I was thrilled when Rachel asked me to write a blog post for her about BC Garn Loch Lomond. I have recently used it for the first time and, not to give away the ending or anything, I downright loved it!
I started knitting regularly at the end of 2008 – I learned when I was a child and went back to it a few times in the intervening years, but it didn’t stick until then. It may have taken some time, but I quickly became very passionate about knitting and even found a part-time job at a knitting shop for a while. Over the last 10 years, however, knitting has taken more of a back seat while I’ve been more interested in sewing. Until the end of last year, that is, when I eagerly picked it up again and haven’t slowed down.
A few months ago, I signed up to test knit the Calm Down Cardigan by Lily Kate France. Despite having been knitting for the best part of 15 years, I had never test knitted until earlier this year. The pattern calls for BC Garn Loch Lomond, and I decided I wanted to use it if I could find it.
Lucky for me, Tangled Yarn not only carried the yarn, but they were also offering a discount if we were to buy the yarn from them for the test knit. I mean, it’d be rude not to and, since I couldn’t pick which colour I’d like to make, I ended up buying the Silver as well as the Red.
So let me tell you about this yarn: it’s 100% organic wool, GOTS-certified and cruelty-free. It has these little flecks throughout, giving the yarn a tweedy look and they add interest to the knitted fabric as well. In the skein and caked up it looks and feels like a mildly rustic yarn, which is not a bad thing in my book. It’s not scratchy at all, but it’s quite “toothy” if you know what I mean; slightly
I’m usually a loose knitter and often need to go down at least one needle size to get gauge. The Calm Down Cardigan was no exception and I got to the required 22 stitches per 10cm with 3.5mm needles rather than 4mm, which is normal for me. This yarn was also a pleasure to knit: my stitches glided nicely off my needles, but if I dropped a stitch, the stickiness of the yarn made it stay in place rather than ladder down.
Where Loch Lomond particularly shines though is after it’s been blocked. It blooms so beautifully, and I couldn’t believe how much softer my cardigan became. Not to mention the drape the fabric developed! I tried to capture that in the photo below but I’m not sure I was all that successful. It undeniably is a yarn that needs to be seen and touched to be believed.
The fabric has worn very well so far. There has been none to minimal pilling and no other signs of wear, even though I’ve worn it so much already in the last few months. This cardigan has quickly become my favourite thing I’ve ever knitted and I’m certain the yarn choice greatly contributes to how I feel about it. It’s lightweight yet warm, sturdy yet soft and I haven’t even talked about the
It was, without a doubt, a struggle to choose which colour I’d like my cardigan to be. At one point, I had 4 different colourways in my cart and wanted to buy them all. As I said at the start, I did end up buying the Fire Red as well as the Silver, but I still haven’t decided whether to make the Calm Down again or something else with it. All the colours are stunning: from the more muted neutrals to the
Looking at the colours as I’m writing this is just making me want to add them all to my cart though and that is probably a sign I should wrap this up. I hope this has been helpful if you were thinking about trying Loch Lomond and tempting even if you weren’t. I heartily recommend it and look forward to knitting up the skeins that are in my cupboard.
If you’d like to see more from me, I can be found on Instagram @patsypoomakes where I share my sewing and knitting exploits from time to time and I also blog sporadically on WordPress at patsypoomakes.
]]>
Linen is a natural fiber that is produced from the flax plant. With its natural moisture-wicking abilities and lightweight, breathable nature, it's ideal for keeping you cool and dry as temperatures increase. While it may feel crisp at first, it softens with every wear and wash, giving it a beautiful drape and texture, making it ideal for creating summer garments such as dresses, tops, and lightweight shawls.
It also takes colour beautifully as the surface of the fibre is smooth and reflects the light to give a wonderful lustre. Check out the colour palette of BC Garn's Lino to see what we mean!
If you are new to linen yarns, however, it can feel a little unfamiliar at first, and let's face it, we knitters are all about our comfort! But that is where we come in because below we are sharing our tips for working with linen yarns. Let's dive in!
One of the most obvious differences between linen yarns compared to other natural fibres is how it feels. Linen doesn't have the same elasticity and bounce as wool or other fibres, so it can feel quite hard and even scratchy, which can initially put some makers off.
Remember what we mentioned above though? Linen gets softer the more you wear and wash it. This process will begin as you start to work with it but don't be afraid to give your yarn a pre-wash before you even cast on. Soaking it in warm water for at least 30 minutes will help soften the fibres and make them easier to work with. Just remember to only soak your yarn when it is in a skein, not a ball, and make sure it is fully dry before you begin to work with it or it may stretch the fibres and give you an uneven gauge as it dries.
It's always important to swatch, but especially with linen yarns. As mentioned, linen doesn't have as much elasticity as other fibres and the stitches are crisp, so it can feel like they are too large. This leads to knitters pulling the yarn too tight and creating an uneven tension. Keep your stitches relaxed and be guided by your swatch. If the fabric isn't right, adjust your needle size and swatch again. It will make for a much more enjoyable knitting experience!
Once your swatch is knit, be sure to block it, even if you have previously soaked your yarn to soften it. Blocking your swatch will give you an accurate gauge and allow you to see how any stitch patterns look after washing to be sure you are happy with everything. As linen doesn't have as much elasticity as wool, more intricate stitch patterns can be difficult to work with. Complex cables, for example, can highlight tension issues making the fabric look messy.
Wash your swatch using the same method you plan to use for washing your FO (see below) for the most accurate results.
As we pointed out above, not all stitch patterns will be appropriate or look the way you wish when you work with linen. While it's always worth experimenting and there are no hard and fast rules, if you are just starting out, try simple stitch patterns first like stockinette and garter. If you are feeling a little more adventurous, lace patterns are always a great choice for linen as its natural drape really opens up the design and lets the stitch pattern shine.
It's also worth mentioning too, that linen is a heavier fibre than wool, so if you do end up working with a complex stitch pattern that uses more yarn, the result will be a heavy item, and the larger the project the heavier it will get. The weight paired with the natural drape of linen could result in a FO that is much larger than you expected that continues to grow over time as it softens. So while it may look great as a swatch, it's smart to consider the final piece.
At some point frogging is inevitable, but linen yarns can be tricky to get back on the needles if you've removed them to frog back, especially if you are used to working with 'stickier' fibres such as wool. Instead, try 'tinking' back one stitch at a time if you need to fix a mistake, or add lifelines at different points as you knit.
As the surface of linen is very smooth and the stitches are crisp, inconsistencies in the fabric can be quite noticeable, even if they occur on the wrong side of your work. To prevent knots, uneven joins and bumps caused by weaving in ends, it's best to join new yarn at the beginning of a row.
To finish, wash and block your FO in the same way you blocked your swatch. At this point, you would normally be heading to the sink to handwash your project, but it's worth noting that linen loves the washing machine and tumbler! Using them can really encourage the fabric to soften, but we would still recommend keeping temperatures low and testing this out with your swatch first to see the results as every yarn is different.
So those are our tips for working with linen! Are you already a linen fan, or did you begin a little hesitant and are now ready to give it a try? If there is anything we haven't covered here that you would like help with, please do ask us in the comments below and we'll be happy to help! Also, if you have your own tips to share in the comments, we're all ears!
]]>Let me introduce you to our newest arrival, Sorrosal, a 2ply, sport-weight yarn named after the Sorrosal farm, a family-owned farm located in the Pyrenees mountains whose flock of Merino sheep provide the fibre for this gorgeous new yarn. It is the first yarn made of 100% Spanish wool with a distinct label from a single livestock farm and a love letter to the Spanish yarn industry and the people and animals involved in its production. So much time, knowledge and passion have been poured into its creation that there was only one way they could tell its story; they wrote a book about it.
Living Wool documents every stage of Sorrosal's production, and features nine stunning patterns from fellow designers created especially for it. But what makes this book even more special is it shares the journey of Ester and Javi, the founders of dLana, who not only discovered a passion for wool, but a deep desire to explore the bond we have with it as consumers, how that affects us, and how it affects the planet. In their own words:
"Each and every one of us has a connection with wool and that is what this book is about: your story, ours, and the one we can knit together."
If you are new to dLana, let me give you a quick introduction. Founded in 2017, dLana is a Spanish yarn company that has been making waves in the textile industry for its commitment to sustainability, ethics, and quality.
Ester and Javi, are dedicated to producing high-quality yarns made from locally sourced, sustainable materials, and their mission is to create yarns that not only look and feel beautiful but also have a positive impact on the environment and the communities where it is produced.
In this blog post, we will explore dLana's approach to yarn production, the farms and communities they work with, and their commitment to transparency and traceability in the supply chain. But before we dive in, what exactly does it mean when we say ‘traceable yarn’?
Traceable yarn is when that yarn can be traced back to its source, giving customers information about the journey of the yarn from the farm to the finished product. This means that customers can know where the fibres were sourced, how they were produced, and how the yarn was processed, dyed, and spun. This level of transparency in the supply chain allows customers to make informed decisions about the products they buy and promotes sustainable and ethical practices in the textile industry.
The herd from Luis Sorrosal sheep farm at Los Monegros in Spain.
Companies that produce traceable yarns often work directly with farmers, shepherds, and other producers to ensure that the fibres used in the yarn are produced sustainably and ethically. Which brings us right back to Sorrosal!
Wool begins its life with the animals that provide it for us, and the Sorrosal farm follows strict animal welfare standards to ensure that the sheep are well taken care of and healthy. The wool comes from their Merino sheep, which are known for their soft and fine wool fibres. Once a year, the sheep are sheared by hand to remove their wool in a way that doesn't harm the sheep or cause any distress. The wool is then sorted by hand to remove any impurities, and the highest quality fibres are selected for use in the yarn.
The selected wool is then sent to dLana's spinning mill, where it undergoes a process of washing, carding, and spinning to create the final yarn. The mill follows sustainable practices, including the use of renewable energy sources and eco-friendly dyes, to minimise its environmental impact. The result is a high-quality yarn that is a dream to work with and gentle on the environment in a palette of eight stunning shades that work beautifully alone and together.
dLana* Sorrosal comes in undyed and eight dyed colours.
But the process doesn't end there. It isn't enough for Ester and Javi to know all the work that goes into creating this yarn, they want us to know it too. Not only have they recounted their entire journey in their new book, Living Wool, but they have added QR codes to access even more information online about the farm where the wool was sourced, the shearing process, and the production of the yarn. You can also find an abundance of information on their own blog too! This transparency not only gives customers peace of mind, but is also a great example of how the textile industry can be transformed by introducing more sustainable and ethical practices.
We hope you’ve enjoyed this look into dLana’s exciting new yarn, and if you would like to learn more about it, be sure to check out Living Wool. You can also shop all the colours of Sorrosal right here at Tangled Yarn and experience this special yarn for yourself!
Don't forget you can use your wishlist at any time. Just click on the handy ‘Add To Wish List’ button on each product page and it will keep track of all your favourite items!
]]>Spring is here at last, but that doesn't mean we can't still indulge in cosy knitwear, especially living in the UK. A cardigan is essential to our spring and summer wardrobe, so now is a great time to think about casting on a new project.
I have just the thing for you. Today, our lovely friend and knitwear designer Lily Kate France has released a new design, the Calm Down Cardigan, and it's a beauty. You'd be mistaken to think it's a box standard stocking stitch cardigan. The Calm Down Cardigan is more complex. It has an air of Chanel sophistication; you might think this gem of a cardigan was from a fancy boutique and not a handknit.
If you are a process knitter, you will love the overall construction of this cardigan. This project starts with the saddle shoulders as a top-down seamless knit. You work the shoulder saddles first in ribbing and go on to pick up stitches and make increases for the armholes. Clever short rows give the Calm Down Cardigan a pleasing shape. It hangs beautifully from the body and will suit many shapes and sizes.
Every good design starts with an idea, quickly followed by finding a suitable yarn to transform an idea into reality. So when Lily visited us in December, she had a clear idea of what she was looking for in a yarn. Specifically, she wanted a DK-weight yarn that was slightly rustic yet soft, with a texture that was not too smooth and a colour that was not too flat. With this in mind, we turned to BC Garn Loch Lomond GOTS.
BC Garn Loch Lomond GOTS ticks all the boxes for Lily. It's a woollen-spun yarn DK making it lightweight, warm and soft. The colour palette consists of quiet neutrals and jewel-like colours. There are subtle flecks of tweed that bring the knitted fabric to life. Loch Lomond is also certified by the Global Organic Textile Standard (GOTS), which ensures that the wool has been produced without harmful chemicals and in an environmentally and socially responsible way. Lily settled on the colourway Silver for the Calm Down Cardigan with the minimal tweed neps in tonal shades.
I don't want to give too much away about the Calm Down Cardigan, only to say that Lily has exceeded all expectations in this design. It's in the little details that Lily outshines many of her peer group. She is an accomplished knitwear designer who doesn't shine away from a challenge.
Whether you are an adventurous beginner looking for a challenge or a knitter with lots of experience, the Calm Down Cardigan is a great spring knitting project and the perfect accompaniment to your spring/summer wardrobe. Head to Lily's Ravelry store to purchase your pattern.
BC Garn Loch Lomond GOTS is available to order through our online shop. It comes in a wonderful array of colours, we are excited to see what colour you choose so do share your finished projects on Instagram using the hashtag #calmdowncardigan
If you are still deciding whether to cast on the Calm Down Cardigan, remember to add your favourite colour of Loch Lomond to your wishlist.
]]>Congratulations to you and Helena on becoming proud owners of John Arbon Textiles. Thank you for taking time out of your busy schedule to chat with us today.
Both Hels and I had been working at JAT for rather a while before taking the helm, so really it's just been a natural progression. When Juliet and John told us they were looking to retire, it was very much only if we fancied taking over and continuing on – I always joke that we were the only two Mill Folks foolish enough to take on all the responsibility!
In terms of what's been most rewarding, I reckon it's exactly the same as it was when we were both employees: being able to dream up desert island yarn in our favourite shades and then a few months later, we're getting that first swatch on the needles and dreaming of projects… Pure magic every time!
JAT was started by Mr John Arbon himself, along with his wife, Juliet. They owned the business for 21 years and gradually built it from the bones up. When it started, I think they were selling mostly Alpaca and finished items like socks and scarves along side yarn and tops. Initially, they were working out of a historical water-powered mill, Coldharbour, but over time John was able to re-home enough machines to be able to move to our current unit in South Molton. By this time, they were making more and more yarn for crafters – as woolly folks make the best customers – and decided a few years later to let go of the sock business entirely. It was around this time that Helena and I started, and the yarn and tops ranges began to expand a little and reflect our current offerings.
Helena and I are both millennials, and our intention and focus with JAT is to ensure that we run it in a way that best reflects our ethics. We are adding more and more UK-grown fibre, as we strongly believe in buying locally from an environmental and economic perspective. Being employers is new for us, but as we're both socialists at heart, everyone at the mill (including ourselves) is on the same hourly wage. After all – none of this would happen without all of us Mill Folks working together as a team! Hels and I are doing our best to put down solid foundations, and once we feel like we have these in place, who knows what's next?
Mill bobbins
Every day is different and one has to be quite good at thinking flexibly, but then I imagine this is true in any micro business. Honestly, I've spent most of my adult life working at mills, so it all seems normal to me!
We buy our fibre via two sources. We source the finer stuff like Merino and Corriedale (outside the UK) from our wool agent, the splendid Andrew Bowman. He purchases it directly from farmers in the Falklands and overseas and visits every few years to see the flocks and build those relationships.
The UK grown fibre we purchase through the British Wool Marketing Board (BWMB) via auction. This is a farmer-run organisation which was set up during WWII with the aim of achieving the best possible price for producers. They do this by categorising the fibre into over 120 different grades depending on various qualities like softness, length, colour, lustre and percentage of vegetable matter, etc. Similar fibre is gathered together into a single grade, tested and then sent to auction.
We buy specific grades and then blend these to create each of our unique yarns. From time to time, when planning a new range, we will add in a new grade (or type) of wool. When doing this, we walk the ten mins up the road to our local BWMB grading station and take a look at all the fibre on offer, give it all a squish and see what takes our fancy.
Yarnadelic
So this is my very favourite part of the entire thing, such a magical process and never gets old! First comes the initial spark of an idea about a specific handle or feel of a yarn – or a particular way of blending shades we think will be interesting. We'll kick the idea about a bit, make a few samples, knit them up, and see what we think. After a few iterations, we'll end up with a blend which everyone is excited about, by which point, a theme and an idea of a colour palette will have emerged. Many of our ranges have specific palettes which are based on the fibre composition or production method. So once you know which qualities are most important, other factors will slot into place around this.
Next up, the hand carders come out and all the Mill Folks have the opportunity to whip up a few shades. Then it's a case of narrowing this incredible rainbow of delights down into a palette which will work with our existing ranges whilst being different. Once this process is complete, we send it to a few pals for feedback, start working on some designs and plan the launch. This final stage of getting the yarn ready for its debut probably takes about six months, minimum, and the conception stage can't be rushed and has been known to take up to a few years. We were down at the BWMB grading station a few months back and found something new as it happens… so watch this space!
Martha coning on Gino
The main thing which sets our yarn and tops apart is that we have our own mill. This means that we have greater flexibility about what we make and, in most cases, a deeper understanding of what fibre we are using and where it is coming from. Like most products out there, the majority of yarn in the world is made in giant factories by an exploited workforce.
That being said, what we do is by no means unique – once you start hunting, there are many independent mills around the world creating beautiful, bespoke yarns. So in terms of this smaller pond, I reckon the thing that sets us apart is how we blend up our heathered shades from tops rather than dyeing the finished yarn. This allows us to make those magic shades which, from further away, appear as a solid colour but up close, have a kaleidoscope of different hues living inside them. There aren't many worsted mills using a dyed-in-the-wool process.
Yarnadelic
It's the opportunity to play with colours and the yarn that got me into the fibre industry, but it is most certainly the people who have kept me here. There are so many kind, generous, hilarious, creative souls about. We love the ideas and creativity that emerge from chatting with our customers, whether they're industry bods like dyers, designers, bloggers and yarn shop owners like yourself or someone wanting to spin and knit up the perfect shawl they've imagined in their heads. The joy of having a mill is being able to make the raw materials which then go on to fuel someone else's creative process.
We make rather a lot of limited editions, and collaborating with other folks is always a treat. We even take to Insta Stories a few times a year and ask all our followers to help us design a limited edition shade. It is always a joy to see what folks come up with.
Hels and I look forward to continuing to do what we love. This year we're changing the blend in our Knit by Numbers range from 100% Merino to 50% BFL / 50% Merino. Merino is a beautiful fibre, but there is more than enough of it out there in the world without us needing to add more. The new 50/50 blend is glorious and has a little more drape and sheen than the original version, so we're excited to start sharing it with folks!
We've also got some schemes for adding a few new yarns, down the line. But it's still early days on all of these. Designing a yarn takes time.
Knit by Numbers
Before Covid, we used to go to rather a lot of in-person shows, so it was a shock when all of these became an impossibility overnight! I'm rather an introvert, so it was a terrifying prospect to be suddenly hosting Zoom sessions and recording YouTube videos – not to mention a steep learning curve. Happily, all our customers seemed to enjoy our virtual witterings and, especially in the early days of lockdowns, knowing that you've brightened someone's day even a little felt worth the slight terror of waving into a camera – hehehe.
These days we have an active YouTube channel and a number of virtual events each year. It is such a joy to be able to connect with a broader audience than would be able to attend in-person shows. That being said, nothing beats seeing folks in person and having a good ol chin wag. These days we vend at Wonderwool Wales (22nd – 23rd April, 2023) and host our own Mill Open Weekend (16th – 18th June, 2023) every year. This year we're also chuffed to be adding a return to Yarndale (23rd – 24th September, 2023) into the mix.
Find your niche, and don't second guess yourself by trying to make things you think other people will like. Instead, make the thing you personally love, and chances are, plenty of other folks out there love it for all the same reasons you do.
And remember to have fun! Running a small business can be a tad stressful at times, so it's only worth doing if you can stop and laugh with pals along the way.
]]>
Joining us today is knitwear designer Annika Konttaniemi, Aninika lives and works in Lapland and is the author of Arctic Knitting. This recently published book features 20 knitting patterns inspired by Lapland's seasons. Discover Annika's inspiration and personal connection to Arctic knitting as we explore the world of this fascinating knitting tradition.
Like many Finnish kids, I had a subject called handicrafts in school. There usually is a choice between woodwork and textile work. Back in the 90s, when I went to school, it was still very common for girls to choose textiles, and boys did woodwork, so I also learnt the craft in school. I found knitting challenging to learn, however and did not get excited about the craft then. In fact, I hated it! I did not knit at all for an entire decade.
Kinos by Annika Konttaniemi
I started knitting again as an art student in my early twenties to make my own sweater. DIY was a massive part of my style back then, and of course, actually still is ;) Since then, I got swept up in Ravelry, knitting everything that looked challenging and difficult. Kaffe Fassett was a source of inspiration for me, and so was Norah Gaughan with her book Natural Knitting.
I wouldn't have gotten so interested in knitting if it was not for Ravelry, which came out right around this time. I became mesmerized by the newly developing online supply of astonishing patterns. I also joined a local stitch'n'bitch group in Rovaniemi, which was initiated by an Australian. I had just been on a student exchange to the USA and was excited to find an international knitting group in my home town. Some like-minded sisters joined us over the next few years, and 15 years later, we are still best friends!
In 2014-2017 I had a brief affair with hand weaving and actually wrote some patterns for the loom as well, but I returned to knitting as I realized I was more interested in expressing myself in clothing style rather than interior design (I was mainly designing and weaving home textiles)
Icelandic knitting became really popular in Finland during the covid-pandemic and lockdown. I joined a nationwide Finnish Facebook group where people knit Icelandic-style sweaters and passionately discussed them. I joined in on the conversation and realized I wanted to do more.
Nokko by Annika Konttaniem
I then started a Youtube channel, my knitting vlog, and also provided some tutorials for basic techniques used in yoke knitting. People responded well to my channel, and I thought this might be a good time to make my knitting book. I'd worked previously with an outstanding technical editor Heli Rajavaara on some of my past knitting patterns. Once I got her and my publisher on board, I knew this could be an enjoyable book to work on. However, I wanted the book to be different from traditional Icelandic knits. Though stranded knitting in Lettlopi is fun, I wanted to do more and use other yarns.
Soutu by Annika Konttaniemi
The book's narrative is based on seasonal changes in Lapland, and I wanted the patterns to be seamless and easy to modify for more advanced knitters. The patterns in the book were designed to have more advanced design features for all the newborn knitters of the pandemic to learn. The idea is that if you were to knit through all the patterns of the book, a very beginner knitter would get a good idea of how to do a basic version of more advanced knitting techniques like pockets, slits, stitch textures, lace and stranded knitting, steeking and button holes.
Additionally, I wanted the book to be educated on choosing colours for knitwear, so it also includes a substantial section on colour harmonies.
I have a background in fine arts, so I approach knit design very similar to visual arts; I strive for a balance in colour, texture and composition. I often draw from my surroundings, so sometimes I make designs based on moments and places I've experienced in nature. Sometimes an animal or plant will be represented in the design. Only rarely do I make elaborate sketches or mood boards for my designs. I tend to visualize my design with my "inner eye", and then that vision somehow becomes strong enough for me to start knitting. For Arctic Knitting, I often designed with colour in mind, meaning I often aimed at precise colour representations, which also set some limits for my yarn choices.
Jäljet by Annika Konttaniemi
We have a very outdoorsy lifestyle, so most of my knits are appropriate for outdoor activities. I've discovered the dirt repellency of rustic wool yarns is very practical because I still do art and ceramics. Wearability and comfort are very important to me as well. I've always enjoyed outdoor clothes and denim, so I often design sweaters that go well with jeans or outdoor clothing.
Koiju is a special pattern to me because I designed it with my father-in-law in mind. My father-in-law fishes a lot, especially vendace. Vendace is a big part of our food culture in Lapland. Koiju is where he grew up, and we spend our summers nearby.
Koiju by Annika Konttaniemi
The yarn is Finnsheep wool in natural shades plus one watery blue shade. In this design, I chose a split-complementary colour harmony that symbolizes a natural rustic lifestyle, and the pattern simplifies the fish theme. (The black and silver vendace swim in big fish schools).
Koiju is the perfect project to try top-down knitting for the first time. Vilske is a kids' sweater pattern and is an excellent project if you want a quick glimpse into how yoke sweaters are constructed when starting with the neckline.
For bottom-up knitting, Kaamos is an enjoyable design that can be made with pockets, and excluding sleeve and hem pattern makes it easier to knit.
Kaamos by Annika Konttaniemi
The benefit of knitting from the top down is that the piece can easily be test-fitted along the way. Sleeves and hem will also be easier to make in a length that fits your body when coming from the top.
I almost solely use different animal wools because animal fibres are the best to wear up here and don't need to be washed so often. We toss our sweaters and wool blankets in the snow in the winter to clean! I often choose yarns by colour, and I look for very nuanced colour combinations, so yarns like Cascade 220, Lettlopi and Rowan Felted Tweed are fantastic in the range of colours they provide.
Kuura by Annika Konttaniemi
I love looking at hand-dyed and speckled yarns in merino, but I usually use mostly semi-solids in my knits. Lately, I've been drawn to tweed, but those are difficult to come across where I live, except online.
By now, I also have a pretty big stash of excellent left-over yarns at home, so I plan on designing more for scrap yarns in the future. I am also interested in making more designs for Finnsheep wool specifically.
If you haven't learnt about different constructions yet, find patterns with very different constructions. A knitted piece can be constructed in any number of ways, really, and so apart from stitches and colours, you can learn a lot about designing yourself by understanding construction.
Lately, I've been enjoying hand-building in ceramics a lot. It's so different from knitting and allows for more immediate self-expression. I also enjoy making quick watercolour sketches and have taken some illustration classes on Domestika.org.
I hope you enjoyed this interview with Annika Konttaniemi and our exploration of Arctic knitting. If you're feeling inspired to try out some of the patterns featured in her book, Arctic Knitting, it is available to purchase now. Whether you're an experienced knitter or just starting out, these patterns offer a unique and beautiful way to explore the knitting traditions of Lapland. Thank you for joining us on this journey into the world of Arctic knitting!
]]>
What better way to start than with a yarn that literally translates to 'organic summer wool*'? Økologisk Sommeruld from CaMaRose is a fingering weight yarn made from 100% organic merino wool and cotton, making it ideal for spring and summer tops and cardigans, but also babies and children too.
If you are unfamiliar with working with plant fibres then this is a great yarn to introduce you to working with cotton, and it comes in 25 gorgeous shades!
*The STANDARD 100 by OEKO-TEX® certification ensures that Økologisk Sommeruld is sustainable and has been tested and certified to be free from more than 300 environmental and health-hazardous substances. STANDARD 100 by OEKO-TEX® is the pioneering certification when it comes to textiles and the test criteria go far beyond the applicable standards in Denmark and EU.
While we love a good lace-weight for spring, warm-weather yarns don't have to mean working with only lighter weights. Allino from BC Garn combinations linen and cotton in a gorgeous DK weight, making it ideal for spring/summer sweaters, tops and tees.
The yarn is spun and dyed in Italy using Ökotex standard dyes free from animal derivatives, making Allino a truly vegan yarn!
Another gorgeous DK weight yarn that is perfect for the warmer weather is The Fibre Co. Luma. Organic cotton, linen and silk are combined with Merino wool, creating a beautiful light fabric that works wonderfully for summer tops and tees, but also layering pieces that will see you through to winter!
As you would expect from the Fibre Co. it also has an extensive range of stunning shades making it ideal for colourwork projects.
Few things feel as good as cotton against the skin on a warm day, and Krea Deluxe's Organic Cotton is no exception. The cotton is organic, GOTS-certified and produced in Europe, so no chemical pesticides or artificial fertiliser. This process creates longer fibres resulting in a buttery soft, yet strong yarn.
As with all Krea Deluxe yarns, it comes in an extensive range of tone-on-tone colours. It's ideal for personal garments, accessories, baby gifts, facecloths, anyone with allergies...I think you get the idea!
If you are looking for a yarn that will bring the ultimate drape to your spring/summer projects, BC Garn's Lino is the one for you. Lino is a 100% linen yarn in a stunning range of shades, from soft pastels to deep jewel tones.
If you haven't knit with a pure linen yarn before, you may be hesitant or concerned when trying it for the first time, especially if you are used to working with wool or particularly soft fibres. Linen feels very crisp and hard when you start working with it, but the more you wear and wash it, the softer and drapier it becomes. If you are unsure, start by purchasing just one ball and knit a swatch. Wash it multiple times and keep it in your pocket while you go about your day and see how it changes over time before committing to a larger quantity.
Do you have a favourite spring yarn that we didn't mention here? Share it in the comments below, and don't forget, if any of the above sparked your creativity you can save them to your Tangled Yarn wishlist by clicking on the handy ‘Add To Wish List’ button on each product page.
Secondly, there's the colour palette. The shades were all inspired by the changing seasons of the Exmoor landscape, the national park that John Arbon calls home. Exmoor Sock launched with an impressive selection of colourways right from the get-go, so imagine our elation when they told us that four new shades were being added for Spring!
Do you hear that? That's us jumping on board the Spring sock-knitting train, and seeing as Exmoor Sock comes in handy 50g skeins, we thought it was a great opportunity to check out some sock patterns that make the most of those stunning colourways. Ready to take a look?
Sweater Weather Sock Collection © Carlie Perrins
If you are new to sock knitting and the thought of combining more than one colour leaves you overwhelmed, check out the Sweater Weather Sock Collection by Carlie Perrins. It's a collection of three sock patterns of adventurous beginner level and all feature contrasting toes and heels. This is a great option if you struggle with second-sock syndrome too, knit one of each sock and embrace the mix-matched style!
Kigi © Yucca
When you are ready to move on from contrasting heels and toes but aren't quite ready to tackle stranded colourwork socks, then the Kigi socks from Yuka may interest you. The two-colour textured stitch on the leg uses just one colour at a time and complements the simple texture of the foot perfectly. We particularly love that extra flash of colour on the cuff!
Studzen Socks © Alena Malevitch
Are you ready for some all-over colourwork sock action? If you are determinedly shaking your head, fear not, because we are still not in stranded colourwork sock territory. The Studzen Socks by Alena Malevitch are created using slipped stitches, so there are no colour changes during the round, you simply work in one colour, drop the yarn at the end and pick up the next colour. Slipped stitches also help create a very durable fabric, so ideal for sock knitting!
The Mosaic Socks © Joona Höri
Now we arrive at stranded colourwork socks! The Mosaic Socks by Joona Höri are a work of art (just check out that heel detail!) and definitely work the extra effort that goes into colourwork socks. If stranded colourwork socks feel a bit daunting, just remember three things; always swatch to get the right gauge, make sure you keep your colourwork floats on the loose side to allow for some stretch and always choose a size that gives you 0 negative ease, or as close to that as you can. Stranded colourwork fabric has little to no stretch, so choosing a size with a good amount of negative ease as is typical with sock knitting won't work here. Don't be afraid, give it a try!
So what do you think of the new Exmoor Sock colours? Share your favourite in the comments below!
Don't forget you can use your wishlist at any time. Just click on the handy ‘Add To Wish List’ button on each product page and it will keep track of all your favourite items!
]]>If Lalland DK is a new-to-you yarn, let us give you the full tour. Di Gilpin is a Scottish-based knitwear design studio, operating from the beautiful Comielaw Farm on the Balcaskie Estate. As well as creating beautiful patterns and books, collaborating with businesses small and large, and teaching from their studio, they have also created their own wool label. Lalland Lambswool is produced with a local cashmere mill and then the yarn is twisted and plied to their own special recipe at Laxtons in Yorkshire - and now it is available to you here at Tangled Yarn!
Lalland DK is a light double-knit lambswool that is created with a firm two-colour twist that gives it a wonderful stitch definition with a vintage look. It comes in 21 stunning shades and a host of beautiful patterns created specifically to showcase just how special this yarn is. Shall we take a look at some of them?!
Carrington is a beautifully textured sweater featuring a rolled funnel neck and A-line shaping through the body that gives it plenty of swing! It's pictured here in the colour Furze, a vibrant yellow that will never fail to lift your spirits, even on the rainiest days, but it would look equally lovely in a neutral such as Agate.
You know we are big fans of a knitted vest here so the Lyra Fair Isle Slipover was sure to catch our eye. With all the stunning colours available, it only made sense to indulge in a little colourwork, and Di Gilpin has curated two beautiful colourways that you can choose from, though you can always put a selection together of your own too!
Colourway A; Seaglass (Agate, Crowdie, Laggan, Bellrock, Furze, Coruisk and Storm Petrel)
Colourway B; Northern Lights (Beechnut, Driftwood, Jasper, Coral, Bell Heather, Storm Petrel and Bellrock)
If you are up for a slight challenge (the challenge being cables and colourwork in a yoke!) then take a look at the Geo Yoked Fair Isle Sweater. It may seem like a lot but the finished result is totally worth the effort! Here Di Gilpin used a stunning combination of colours Driftwood, Crowdie, Silver Birch, Flame and Haar.
If colourwork and cables pique your interest, but the thought of trying to navigate them in a sweater is a step too far, then perhaps you can begin with the Geo Snood. Featuring the same stitch pattern as in the Yoked Fair Isle Sweater, here it takes center stage to create a visually striking snood that you’ll be reaching for year after year. It’s pictured here in colours Haar, Coille, Driftwood and Furze, and do you want to hear the bonus? Two snoods can be knit from the quantities of yarn listed for this pattern, all you have to do is swap the order of the colours!
So what do you think of our latest yarn addition? We'd love to know, have you used Di Gilpin Lalland DK before, or is it a new-to-you yarn also? Let us know your thoughts in the comments below!
Don't forget you can use your wishlist at any time. Just click on the handy ‘Add To Wish List’ button on each product page and it will keep track of all your favourite items!
]]>
Vests are a fantastic first garment project, and PetiteKnit is the queen of simple, elegant pieces that are very wearable. Petiteknit has a plethora of beautiful vest patterns for both adults and children, but our favourite has to be the Friday Slipover. The sample is knit using a strand of fingering weight yarn held with a strand of lace weight mohair, but a single strand of DK weight yarn will also work.
We'd love Biches & Bûches Le Petit Silk & Mohair and Le Petit Lambswool in Nude Pink and Light Peach to hit another 2023 Knitwear trend (hello, blush sweater!), but it would look equally good in any of the stunning shades of The Fibre Co.'s Cirro.
We are in love with this Coco Mohair Slipover by Katrine Hannibal. Using a sport and lace weight mohair yarn held together, Coco can be made in one colour, or you can knit with changing colours of mohair to create gorgeous stripes, making it the ideal stash-busting project for any leftover mohair.
We'd make our Coco Mohair with Krea Deluxe Organic Wool 1 and Silk Mohair. Whether choosing a single colour or stripes, you'll be spoiled for choice with their selection!
For a slightly more challenging project with lots of texture and cables, check out Adelita from Sari Nordlund. With thoughtful details such as a split hem mirrored by the front cable panel that splits to form the v-neck, it's sure to become your go-to garment to keep you cosy in the cooler months.
Kelbourne Woolens Scout would work beautifully here and really let those cables and the texture pop!
If you want to add a vintage vibe to your wardrobe, look no further than The Academic by Skeindeer Knits. This is more of an advanced project, as colourwork and steeking are involved, but it's certainly worth it for this timeless pattern. Also, steeking looks scarier than it is!
The Academic calls for a fingering/sport weight yarn, and the colour selection of Garthenor's Preseli will give you so many options and is a dream to work with.
We know steeks and colourwork aren't for everyone, so if your dream project is something big and cosy that will fly off your needles in no time, the Cloud Slipover by Ksenia Naidyon may be the answer. It has a cosy, squishy texture with a voluminous cowl neck to keep out the cold winter air. Knit in a bulky weight yarn, you will be wearing it in no time, and when made with The Fibre Co's Tundra, you won't want to take it off!
What do you think? Do you have a favourite vest pattern from here, or do you have one we missed? Share it with us in the comments below, and remember, you can save all your favourite items by clicking on the handy 'Add To Wish List' button on each product page to save all of your favourite items right here on the website.
Bouquet by Maria Magnusson is a drop-shoulder lover's dream, with an enlarged all-over lace stitch pattern and split hem. It is knit in The Fibre Co. Cumbria, a stunning worsted-weight yarn that is pictured here in colourway Buttermere, but it would look beautiful in any of the natural or jewel-tones shades.
Abloom by Anne Ginger is a perfect wardrobe staple, a v-neck cardigan with a shawl collar that will look good over everything from dresses to pyjamas. Knit in Biches & Buches Le Petit Lambswool (shown in colour Grey Beige), it will certainly be a more long-term project, but it will be so worth it when that lambswool blooms and wraps you in a cosy hug that lasts all year around.
The striking colourwork yoke of Etamine by Emma Ducher was made for De Rerum Natura's Ulysse. There are so many stunning shades to choose from, you could go bold and striking as in the photo*, or opt for a softer, more tonal combination.
*Sample colours are Eucalyptus (MC), Crème Anglaise (CC1), Argile (CC2), Bois de Rose (CC3) and Amarante (CC4).
If you're looking for a little spring romance and whimsy, Theophrastus by Valerie Rachel should be your first cast on. Knit in Krea Deluxe Silk Mohair* it is light as a cloud with endless colour options for those delicate ruffles.
*Sample shown is knit in colourways No. 01 (MC) and No.32 (CC).
Remember, you can preorder Issue 9 from February 9th, and will be released on March 15th. We'd love to know, do you already have a cast on planned? Share in the comments below!
]]>